The new year is always a time for reflection—a moment to look back at what worked, what didn’t, and what lies ahead. That reflection spans both personal and professional life. As an artist, a business owner, and a creator, standing still is not an option. Growth requires intention.
This time of year gives me the space to evaluate the wins of the past year, acknowledge the challenges, and decide what I want to approach differently moving forward.
Avoiding Burnout
One of my biggest challenges in 2025 was burnout.
I was regularly working late into the night—creating inventory for markets, developing original pieces for shows, writing blog posts, producing newsletters and podcast content, and managing the day-to-day operations of my business. The reality is simple: that pace is not sustainable.
As I move into this year, the first question I had to ask myself was how to make space for me. There are courses I have wanted to take, tools I have wanted to truly learn, and personal creative goals that have repeatedly been put on hold in favor of the business.
This year, I am committing to pursuing those goals without overextending myself. That may mean doing fewer markets, passing on certain art shows, or reprioritizing business objectives. In the long run, staying healthy, inspired, and fulfilled is what will allow this business to thrive for years to come.
Building a New Repertoire of Skills
There are several tools and skills I have wanted to explore more deeply but postponed while focusing on production and deadlines. This year, I am making good on those commitments to myself.
- Procreate
Procreate has long been an essential part of my creative process. I use it to develop original designs, compose layered artwork, and generate SVGs for transfer patterns. That said, I know I am only using a fraction of its capabilities. I am currently working through Freya’s Procreate course to refine my workflow and elevate how I use this powerful tool. - Geometrica
I am always on the lookout for tools that enhance pattern design. Last year, I discovered Geometrica—an app originally designed for tattoo artists that excels at creating geometric patterns and mandalas. It translates beautifully to pyrography, and I plan to continue exploring it throughout the year. - TourBox Elite Plus
I added a TourBox Elite Plus to my iPad setup last year to pair with Procreate. While I enjoy using it, the default configuration does not fully support my workflow. This year, I plan to create custom mappings tailored to my most-used techniques and processes. - Canva
Canva has been part of our toolkit for several years, primarily for social media graphics and blog banners. However, I believe we have only scratched the surface of what it can do. This year, I intend to explore its deeper functionality and integrate it more intentionally into our marketing and content strategy.
As I become more fluent with these tools, you can expect more in-depth blog posts breaking down how I use them in my creative practice.
Elevated Work
A major contributor to burnout has been the volume of markets and the pressure to produce large quantities of product. This year, the focus is shifting toward commissions and higher-end art pieces.
This approach allows me to create fewer works while increasing quality, detail, and intention. I began this transition last year with pieces like Her and Majesty. In 2026, this becomes a central pillar of the business.
- Limited Editions
Each quarter, I will release a small collection of limited-edition pieces. These sets will consist of one-of-a-kind works that will not be replicated. Each release will be built around a defined theme and woven into a larger narrative for the year. - Pet Portraits
This is the year. Demand for pet portraits has been steadily growing, and after completing a deeply meaningful portrait as a gift last year, I am ready to open commissions. An official announcement will be coming soon. - Legacy Pieces
Legacy pieces are large-scale works created for juried shows, exhibitions, competitions, and collectors. These are the pieces that take dozens—sometimes hundreds—of hours to complete. One such piece is currently on display at the VAPA Center in Uptown Charlotte. Last year, time constraints limited how many of these I could produce. This year, I expect to create more, including a major piece intended for submission to the Mint Museum.
More to Come
Expectations for this year are higher than ever. We are laying the groundwork for a significant evolution of BZ FurFur—one that positions the brand for something entirely new in 2026.
You can still expect blog posts, newsletters, events, and community engagement—just with more intention, depth, and a few surprises along the way.
Planning something for 2026? Tag us @bz_furfur, and as always, stay unique.
